Tracks for practicing the class material:
Rie Payaso is a wonderfully exciting tango. It's both playful and upbeat, but as so often in tango; lyrically it's telling quite a somber story. Written by Virgilio Carmona & Emilio Luis Ramon Falero in 1929, the song is based around the character Canio from the 1892 Italian opera "Pagliacci" (Clowns) by Ruggero Leoncavallo.
I started thinking about tango lyrics when one of my teachers told me about one of his performances; he explained how his partner (who wasn’t a native Spanish speaker, he emphasized), didn’t listen to the lyrics and ended up smiling hugely through the depressingly sad song they were dancing to. My teacher described this as an example of how we need to understand the lyrics to fully understand the song, because even songs that sound happy and upbeat could be sending a different message entirely.
In 1937, Aníbal Troilo's orchestra debuted with Francisco Fiorentino as the singer. Troilo was a large man and had the nickname "Pichuco." He was an innovator and kept pushing tango into new areas especially once he hired a young bandoneon player named Astor Piazzolla and made him arranger for his orchestra.
Born in Uruguay in 1888 to impoverished Italian immigrants, at the age of 10 his family emigrated to Buenos Aires. Bursting with musicality, he made his first violin out of wood and the remains of an oil can. Canaro proceeds to teach himself to play this bizarre instrument.
Canaro went on to become one of the driving factors in the creation of the wildly successful Buenos Aires based Tango Music Industry of the Golden Era of Tango. Canaro earned a place as a national icon of wealth and prosperity, along with the inevitably associated greed.
Juan D'Arienzo's career spanned over 5 decades and one of his earliest and most often recorded tango is Nada Mas. The 1939 recording was one of the first tangos of D’Arienzo- Echagüe, this version has very little singing and the orchestra is the main attraction. This balance changed later when the singer was the principal element and the orchestra became less important.
Juan D'Arienzo was in many ways the engine that drove the Golden Age - by virtue of his orchestra filling the dance halls. His beat, his sound and his musicians were just amazing. When he arrived in the latter 1930's, he infused a whole new life and energy into Tango.